{"id":25377,"date":"2014-04-30T10:42:40","date_gmt":"2014-04-30T14:42:40","guid":{"rendered":"http:\/\/www.cmg.ca\/fr\/?p=25377"},"modified":"2023-06-03T14:59:51","modified_gmt":"2023-06-03T18:59:51","slug":"le-festival-mayworks-sattaque-a-la-sous-representation-exploitation-et-xenophobie-qui-sevissent-dans-le-monde-du-travail","status":"publish","type":"post","link":"https:\/\/cmg.ca\/fr\/nouvelles\/le-festival-mayworks-sattaque-a-la-sous-representation-exploitation-et-xenophobie-qui-sevissent-dans-le-monde-du-travail\/","title":{"rendered":"Le festival Mayworks s\u2019attaque \u00e0 la sous-repr\u00e9sentation, exploitation et x\u00e9nophobie qui s\u00e9vissent dans le monde du travail"},"content":{"rendered":"

\"Catriona<\/a>Par Catriona Spaven-Donn<\/p>\n

Imposants, les hauts \u00e9difices et les grues qui se profilent sur le ciel de Toronto encadrent le bureau o\u00f9 est assise Nahed Mansour, la directrice du festival Mayworks. C\u2019est dans ce d\u00e9cor qu\u2019elle parle de l\u2019objectif de Mayworks, qui est de rendre hommage \u00e0 la participation citoyenne. Ce paysage urbain d\u2019aspect sinistre illustre bien ses propos : \u00ab\u00a0les macrostructures \u00e9crasent les gens et les ali\u00e8nent\u00a0\u00bb. Pour N. Mansour, ce qui cr\u00e9e une soci\u00e9t\u00e9 participative, c\u2019est l\u2019action \u00e0 la base.<\/p>\n

Le festival Mayworks vise \u00e0 rendre la parole aux marginaux et aux opprim\u00e9s, pour faire contrepoids aux discours dominants de la sph\u00e8re politique. Se d\u00e9tournant des \u00e9difices qui encombrent le ciel, Mayworks cherche \u00e0 d\u00e9nicher les espaces oubli\u00e9s de la ville et \u00e0 les animer. N. Mansour affirme que les nouvelles qui circulent dans les m\u00e9dias de grande diffusion ne viennent pas des citoyens et ne repr\u00e9sentent pas leurs points de vue, tandis que Mayworks\u00a0 \u00ab\u00a0laisse aux gens le soin d\u2019offrir leurs propres t\u00e9moignages\u00a0\u00bb.<\/p>\n

Cette ann\u00e9e, les t\u00e9moignages portent sur le travail des immigrants chinois en terre sauvage, dans le cadre de l\u2019exposition \u00ab\u00a0Before and After\u00a0\u00bb (jadis et maintenant), ainsi que sur le combat des r\u00e9sidents du quartier Jane et Finch et la campagne pour un salaire minimum de 14 $, qui s\u2019inscrivent sous le th\u00e8me \u00ab\u00a0Struggle for Economic Justice\u00a0\u00bb (combat pour la justice \u00e9conomique). Le festival aborde la question des conditions de travail en faisant appel \u00e0 l\u2019art en tant qu\u2019outil de changement social. \u00ab\u00a0La politique a besoin de l\u2019art autant que l\u2019art a besoin de la politique, affirme N. Mansour. Les m\u00e9dias visuels, les actes de parole, le th\u00e9\u00e2tre et les autres formes d\u2019art sont tous d\u2019une grande importance strat\u00e9gique pour discourir des structures politiques\u00a0\u00bb.<\/p>\n

Sous le th\u00e8me \u00ab\u00a0Food, Land and Colonialism\u00a0\u00bb (alimentation, terre et colonialisme), Cass Gardiner pr\u00e9sente un documentaire intitul\u00e9 The Edible Indian, <\/i>dans lequel trois chefs cuisiniers autochtones parlent de leurs plats traditionnels favoris et de leurs liens \u00e0 la terre. La projection s\u2019accompagnera d\u2019une lecture de po\u00e9sie par Ghadeer Malek, militante f\u00e9ministe palestinienne et po\u00e9tesse vernaculaire. G. Malek, dont le nouveau recueil, I Exist<\/i>, fait le lien entre les luttes des Autochtones, des femmes et des travailleurs, affirme \u00ab\u00a0mon combat, c\u2019est mon art\u00a0\u00bb, \u00a0ce qui illustre parfaitement la double orientation du festival. \u00ab\u00a0J\u2019ai appris que la po\u00e9sie engag\u00e9e ne consistait pas \u00e0 pr\u00eacher des id\u00e9aux politiques, mais \u00e0 r\u00e9v\u00e9ler la r\u00e9alit\u00e9 et la complexit\u00e9 des exp\u00e9riences individuelles\u00a0\u00bb, commente-t-elle.<\/p>\n

Le programme du festival pr\u00e9sente des perspectives uniques et vari\u00e9es qui se font \u00e9cho d\u2019une g\u00e9n\u00e9ration \u00e0 l\u2019autre et d\u2019une communaut\u00e9 \u00e0 l\u2019autre. N. Mansour explique que l\u2019objet du festival est de s\u2019attaquer \u00e0 la sous-repr\u00e9sentation, l\u2019exploitation et la x\u00e9nophobie qui s\u00e9vissent dans le monde du travail. En acceptant les soumissions \u00e9manant d\u2019artistes, de travailleurs, de groupes et d\u2019organisateurs de campagnes en faveur de la justice sociale, le festival \u00ab\u00a0\u00e9largit la d\u00e9finition du mot travailleur<\/i> dans le champ de la repr\u00e9sentation plut\u00f4t que dans le champ s\u00e9mantique\u00a0\u00bb. Int\u00e9rimaires, travailleurs migrants, jeunes et femmes y sont reconnus en tant que groupes marginalis\u00e9s depuis toujours par le mouvement syndical. Le \u00ab\u00a0Women\u2019s Labour History Walking Tour\u00a0\u00bb effectue un recadrage en mettant \u00e0 l\u2019honneur des femmes qui, depuis le XIXe<\/sup> si\u00e8cle, ont marqu\u00e9 les luttes syndicales. Cette visite guid\u00e9e d\u2019une heure et demie traverse de hauts lieux de la contestation et de la lutte f\u00e9ministe, tels le campus de l\u2019Universit\u00e9 de Toronto, l\u2019avenue Spadina et le Centre Eaton.<\/p>\n

D\u2019autres \u00e9v\u00e9nements offrent, au c\u0153ur des quartiers, des lieux accessibles pour l\u2019engagement politique et les luttes de solidarit\u00e9. Artistes, citoyens engag\u00e9s et travailleurs ont ainsi la possibilit\u00e9 de remettre en question les r\u00e9alit\u00e9s sociales et politiques du monde du travail et de les red\u00e9finir. G. Malek affirme que le festival fournit, sur l\u2019art et les questions relatives au travail, un lieu de dialogue \u00ab\u00a0tout \u00e0 fait n\u00e9cessaire et pourtant absent\u00a0\u00bb du reste de la soci\u00e9t\u00e9.<\/p>\n

Selon elle, Mayworks montre bien \u00ab\u00a0que les luttes ne sont pas isol\u00e9es, mais que le monde est tiss\u00e9 de liens \u00e9troits, que nous sommes influenc\u00e9s les uns par les autres, que les actions de r\u00e9sistance que chacun d\u2019entre nous menons de fa\u00e7on s\u00e9par\u00e9e ne peuvent pas exister de fa\u00e7on isol\u00e9e, mais qu\u2019elles naissent d\u2019une prise de conscience du fait que nous sommes tous touch\u00e9s par l\u2019injustice ; que l\u2019oppression et l\u2019exploitation ne sont pas des \u00e9piph\u00e9nom\u00e8nes isol\u00e9s, mais qu\u2019elles s\u2019inscrivent dans l\u2019histoire, les proc\u00e9dures, syst\u00e8mes et institutions, et dans ce qu\u2019il est convenu d\u2019appeler \u00ab\u00a0la d\u00e9mocratie\u00a0\u00bb.<\/p>\n

Le festival Mayworks se tiendra du 1er<\/sup> au 15 mai, en divers lieux de la ville de Toronto. Pour en savoir plus, visitez <\/b>http:\/\/mayworks.ca\/2014-festival-program<\/b><\/a>. <\/b><\/p>\n

Catriona Spaven-Donn est une \u00e9tudiante \u00e9cossaise\u00a0du premier cycle \u00e0 l’universit\u00e9 de Toronto o\u00f9 elle \u00e9tudie l’espagnol, l’anglais et le fran\u00e7ais. Elle est \u00e9galement r\u00e9dactrice nouvelles\u00a0pour le journal de\u00a0Victoria College de l’\u00e9tablisssement, The Strand.\u00a0Catriona est\u00a0membre associ\u00e9e du\u00a0SCA|<\/em>CWA Canada\u00a0et pour ce projet c’est\u00a0Aparita Bhandari, membre de la Guilde\u00a0\u00e0 CBC Toronto qui \u00e9tait son mentor<\/em>.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Cette ann\u00e9e, les t\u00e9moignages portent sur le travail des immigrants chinois en terre sauvage, dans le cadre de l\u2019exposition \u00ab Before and After \u00bb (jadis et maintenant), ainsi que sur le combat des r\u00e9sidents du quartier Jane et Finch et la campagne pour un salaire minimum de 14 $, qui s\u2019inscrivent sous le th\u00e8me \u00ab Struggle for Economic Justice \u00bb (combat pour la justice \u00e9conomique). Le festival aborde la question des conditions de travail en faisant appel \u00e0 l\u2019art en tant qu\u2019outil de changement social. Du 1er au 15 mai.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[1],"tags":[139],"workplace":[244],"class_list":["post-25377","post","type-post","status-publish","format-standard","hentry","category-nouvelles","tag-a-la-premiere-personne","workplace-gcm"],"acf":[],"yoast_head":"\nLe festival Mayworks s\u2019attaque \u00e0 la sous-repr\u00e9sentation, exploitation et x\u00e9nophobie qui s\u00e9vissent dans le monde du travail - 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